Seen a Lot, Done a Lot

I  sometimes feel about like this piano looks--a bit beat-up and somewhaworse for wear. But I wonder if that's really a bad thing.

This big old Mason-Hamlin is in the Youth building at my church in Atlanta, and it's interesting to speculate on its life. Who knows how many times it has uplifted, encouraged, or just been central to a great evening of singing around the piano?

Probably people have fallen in love around this piano. Maybe it's soothed some bad times, and maybe it has inspired. I know that it has been a practice piano for talented kids with no piano at home. It has been well used, and it looks the part.

It would be nice if it were shiny and perfectly kept up. But it's better to be needed, loved, and a real part of a real community. At least that's what I think.

Played this great Steinway last night in the Great Hall--there's no other way to describe it--in Glenridge Hall, an old (major) mansion in North Atlanta. This house is used for movies, but is an actual home.

The piano is perfect, and is perfectly maintained BUT it sounds so good in the room that I went looking for the reason. I play a lot of very good pianos, but this one sounds SO much better that I wondered why. It's not just the size of the piano---around 7 feet--tho that certainly helps.

I figured that the warm, full, almost perfect sound came largely from the wood in the room---the old wood--and from the high ceiling, but I think (after some research) that the enormous size of the hall helps. The wood adds richness and natural reverb , and the ballroom-sized room makes that a natural reverb. You just can't get that sound in a regular-sized room.

Here's a nice explanation of room acoustics and piano sound from the Beethoven Pianos website. Acoustics is an arcane science, but you sure know good acoustics when you hear it . . . so . . . I guess I need a living room that's roughly the size of my entire house!