History of the Piano--an Infographic

When we sit down to enjoy our favorite instrument--well, at least it's MY favorite instrument--we usually don't think about all the innovations and changes and technological marvels that have gotten us to where we are today.

We just sit down and enjoy making music. But today's fine instruments are just the tip of the historic iceberg.

Here's a guest post from the HeyKiKi blog that illustrates--in a very clear infographic--how the piano evolved. One picture is still worth a lot of words.

If you like context with your music, you'll enjoy this graphic history of the piano at a glance.

A Good Piano Is Hard to Find

So . . . what IS that that makes one piano sound so good, and another (maybe very similar instrument) sound so lifeless and dull?

Well, obviously there are tons of variables--the quality of the instrument, the age of the strings and felts, and all that. But even given a well-maintained piano, I'm mystified sometimes by differences.

I vividly recall playing for a party at a very nice home in a very nice part of Atlanta---and there was a very nice K. Kawai grand in the living room. When I saw the piano, I was excited--a pleasant evening was in store, because I usually really like those pianos.

But it was not to be, and I just couldn't figure it out. The piano was in tune, clearly well-maintained, and the room was large with plenty of wood and reflective surfaces--but that was the one of the DEADEST pianos I've ever played. Maybe it was just a combination of things that I don't understand.

There is huge variety in pianos, and even very similar instruments from wonderful manufacturers can be dramatically different. You have to play it to be sure--the brand name only gets you started.

As always in these discussions, it reminds me of what Atlanta's dean of society pianists, Margaret Perrin, told me many years ago. "There is nothing," she said, "NOTHING, like a big old Mason-Hamlin grand." And, in my very honest opinion, she was exactly right!

Should We All Be Practicing?

This was taped to the door in a recording studio I visited recently. If you like it, you can get a clean copy from the original source.

Pretty much sums it up. I'm way behind on practicing.

Guess I'll go now and spend some time with Mr. Hanon. More posts later.

A Country With No Music? It Has Happened . . .

No music in an entire country?

It has happened.

Under the Taliban in Afghanistan, a mother could be imprisoned for singing lullabies to her baby. There was no music, no art, no poetry.

How did the arts survive?

A more basic question is 'How did the people of the country survive?' What would life be like in a land with no art, no music, no literature?

Andrew Soloman, who writes for The New York Times and others, went to Afghanistan to find out. He told the story recently on NPR's story-telling program, The Moth. It is riveting and is an utterly engrossing, frightening, and illuminating story.

While the audio file for his story may no longer be available on The Moth's site, it's worth checking because this is a story you'll want to hear.

And, if you can't find it there, here is a good summary from Sergio Gonzales' blog. It's an amazing story.

Life without music would be like life without food or air, wouldn't it?

Christmas CD Sale Till New Years Day

Every year we have a sale on my sixteen solo piano CDs, and we're doing the same this year. It's an easy 'buy four, get one free' sale, and Priority shipping (in the US) is free, too.

Over the years, we've sold thousands of CDs for gifts during the Christmas season, and many people tell us that they do much of their shopping on our website, so it's easy and quick.

During a year when people are watching their pennies, and looking for lasting value, we know that music is a perfect gift. It lasts forever, and the power of association is so strong that the recipient will think of you each time the CD is played.


(I don't normally use this blog for any commercial purpose, but the sale is a good deal and it makes sense to share the news.) And, of course, the CDs are widely available online and at download sites . . . but the sale is only at our own website.

Hard-working Young Busker Gets Unexpected Reward

This story is too happy not to share.

Buskers who play the piano are, by definition, a hard-working group. The instrument, whether acoustic or electronic, is big and awkward to carry and set up, which is the starting point for busking.

So this thirteen-year-old kid in New York City, Jason Cordero, already gets my vote. And, he's playing classical music (though it may be a bit on the approximate side) and not just making up his own new-age drivel.

Plus, he bills himself as "the world's happiest boy." He's only played used keyboards, and it sounds like his family is not affluent.

And then, out of the blue, an executive from Casio sees him playing and gives him a brand-new eighty-eight key instrument. Here's the report from Gothamist. 

It's a great story.

Just Waiting. What Will Happen?

I've always loved the sight of an empty stage, set up and all ready for the musicians to appear. I guess it's just the potential for creativity, the promise (and the hope, of course) that something good will happen. This picture is keyboards, but I really like the sight of a nice drumset, too, with light reflecting from golden cymbals.

The process, after all these years, is still mostly a mystery to me. Some nights the music flows and seems new, and maybe even pretty good. Other times it is more difficult, and nothing "really happens." Why? Don't know.

This scene of the workplace was from a recent pool party in Atlanta. The music, with Del and Jen, was special. Who knows why? Maybe something in the air. The realized potential of the untouched instrument . . . .