When we sit down to enjoy our favorite instrument--well, at least it's MY favorite instrument--we usually don't think about all the innovations and changes and technological marvels that have gotten us to where we are today.
We just sit down and enjoy making music. But today's fine instruments are just the tip of the historic iceberg.
Here's a guest post from the HeyKiKi blog that illustrates--in a very clear infographic--how the piano evolved. One picture is still worth a lot of words.
If you like context with your music, you'll enjoy this graphic history of the piano at a glance.
Friday, July 20, 2012
A Good Piano Is Hard to Find
So . . . what IS that that makes one piano sound so good, and another (maybe very similar instrument) sound so lifeless and dull?
Well, obviously there are tons of variables--the quality of the instrument, the age of the strings and felts, and all that. But even given a well-maintained piano, I'm mystified sometimes by differences.
I vividly recall playing for a party at a very nice home in a very nice part of Atlanta---and there was a very nice K. Kawai grand in the living room. When I saw the piano, I was excited--a pleasant evening was in store, because I usually really like those pianos.
But it was not to be, and I just couldn't figure it out. The piano was in tune, clearly well-maintained, and the room was large with plenty of wood and reflective surfaces--but that was the one of the DEADEST pianos I've ever played. Maybe it was just a combination of things that I don't understand.
There is huge variety in pianos, and even very similar instruments from wonderful manufacturers can be dramatically different. You have to play it to be sure--the brand name only gets you started.
As always in these discussions, it reminds me of what Atlanta's dean of society pianists, Margaret Perrin, told me many years ago. "There is nothing," she said, "NOTHING, like a big old Mason-Hamlin grand." And, in my very honest opinion, she was exactly right!
Well, obviously there are tons of variables--the quality of the instrument, the age of the strings and felts, and all that. But even given a well-maintained piano, I'm mystified sometimes by differences.
I vividly recall playing for a party at a very nice home in a very nice part of Atlanta---and there was a very nice K. Kawai grand in the living room. When I saw the piano, I was excited--a pleasant evening was in store, because I usually really like those pianos.
But it was not to be, and I just couldn't figure it out. The piano was in tune, clearly well-maintained, and the room was large with plenty of wood and reflective surfaces--but that was the one of the DEADEST pianos I've ever played. Maybe it was just a combination of things that I don't understand.
There is huge variety in pianos, and even very similar instruments from wonderful manufacturers can be dramatically different. You have to play it to be sure--the brand name only gets you started.
As always in these discussions, it reminds me of what Atlanta's dean of society pianists, Margaret Perrin, told me many years ago. "There is nothing," she said, "NOTHING, like a big old Mason-Hamlin grand." And, in my very honest opinion, she was exactly right!
Labels:
acoustics,
grand piano,
K. Kawai,
Kawai,
Mason Hamlin,
piano,
sound
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